Newspaper headlines provide a snapshot of our turbulent times as old certainties are being quickly swept away ...

The Houston company Celestis is flying a memorial payload on SpaceX's Transporter 14 rideshare mission, which is scheduled to ...

I have looked it up just now, and only now do I see that via Roussel John Ashbery enters this essay again—because Roussel’s book in cludes two essays by Ashbery. I don’t have the book here in the ...

John Jay Koriath, the local author of “Doing Better: Activate Your Power and Potential in Daily Life,” will read from his ...

Here is The Oklahoman's 2025 Big All-City boys high school track and field roster. 110-meter hurdles: Theus McGuire, Jr., Midwest City ...

Writing for The Atlantic in 1967, John Barth shared that “Initials, blanks, or both were often substituted for proper names in nineteenth-century fiction to enhance the illusion of reality.” ...

After 12 years away, the famously reclusive writer Thomas Pynchon is set to return this year with his 10th book. American author Thomas Pynchon’s first novel in more than a decade will be ...

But for Barth, while these pieces work with Vision Zero, what the proposal authors have planned goes deeper. “We’re at a point where we need to go to the next level,” Barth said.

In the Fall Books issue of 1960, Southern looked at a collection recent fiction, including books by John Barth, William Styron, and John Updike.

I’d never heard of the book or its author. The length daunted me: 766 dense pages! But before I’d finished the multiple prefaces, John Barth had become my favorite writer.

On April 2, John Barth, the author of “Lost in the Funhouse” along with dozens of other books including classics of — literature, “The Sot-Weed Factor” and “Giles Goat-Boy,” died at ...

The author of 20 books including “Giles Goat-Boy” and “The Sot-Weed Factor,” Barth was a college writing instructor who advocated for postmodernism to literature, saying old forms were ...