All of this makes FX’s “Adults” feel almost like a throwback, a show that recalls the big city energy of Ross & Rachel but with a dark, modern sense of humor built around things that Joey could never ...

Tom Quinn and Neon have accomplished something that even Miramax couldn’t in its prime of the late ‘80s and early ‘90s, when ...

Cannes has often prided itself on not making overt political statements. But the wars waging in Gaza and Ukraine were felt ...

Publisher and Editor Chaz Ebert and a team including Managing Editor Brian Tallerico, Scott Dummler, Robert Daniels, Isaac ...

Oliver Laxe’s Cannes award winner of the Jury Prize (basically third place) takes its name from the Islamic bridge that ...

On three very different Cannes films, including the latest from the director of The Climb, starring Adria Arjona.

Chaz is the CEO of several Ebert enterprises, including the President of The Ebert Company Ltd, and of Ebert Digital LLC, Publisher of RogerEbert.com, President of Ebert Productions and Chairman of ...

The title of Kelly Reichardt ’s “The Mastermind, ” the last film to premiere in competition at Cannes this year, only gets ...

One of my favorite programs in my first year of Cannes was Un Certain Regard, a wildly unpredictable, diverse, and accomplished collection of films that ...

The filmmaker talks about his longstanding friendship with Tim Robinson, building comedy out of male emptiness, and more.

Of particular praise is Manna Wei as Yaya, who is forced to see the harsh realities of the world through the prism of her ...

The Israeli director won the top prize at Berlin in 2019 for “Synonyms” and made his Cannes competition debut with “Ahed’s ...