Jesse Slater interviews performance artist Leila Hekmat ahead of her premiere of ‘Roses Rising - The Dinner’ at HAU Hebbel am Ufer ...

Vessel & Voyager’ opens a space to sit with the conditions it gathers—not offering resolution, but a relationship with crisis ...

Marianna Uutinen at HUA International by Lars Holdgate // Apr. 7, 2026. This article is part of our feature topic Abjection. At Hua International, works by Mariann ...

Dwelling in the Possible at Anahita Sadighi Gallery by Olivia Noss // Apr. 3, 2026 ‘Let Us Believe in the Dawn of Spring’ is ...

International exhibitions in April, May and June at Kunstmuseum Basel, Red Brick Art Museum, National Portrait Gallery and ...

Instead of being ticketed at the door to the auditorium, one required a ticket to enter the foyer, thus making the normally ...

This article is part of our feature topic Abjection. Abjection often conjures images of horror—filth, ugliness, death—in their most visceral, corporeal form. Yet what we tend to neglect are abject ...

This article is part of our feature topic Abjection. French feminist philosopher Julia Kristeva opens her 1980 essay on abjection, entitled ‘Powers of Horrors,’ as follows: “There looms, within ...

Gore, slapstick, political commentary and impromptu dance all find their way into Indonesian director Joko Anwar’s new feature film, ‘Ghost in the Cell’ (Hantu Dalam Penjara). Anwar’s 12th film, but ...

This article is part of our feature topic Wellness. Tabita Rezaire’s art practice has explored the ways in which healing and the longing for healing define the human experience. Her works are ...

Downstairs, in the darkened basement of Capitain Petzel, a frantic monologue rattles from a disembodied mouth. “The brain!” Mouth yells, “…flickering away ...