New York Classical Review4h
A rare mixed night for Trifonov at Carnegie Hall
There’s a fascinating mystery around every concert, one that accumulates myriad speculation but no answers. Just what ...
New York Classical Review5h
Philharmonic celebrates black composers in lively, varied “Afromodernism” program
The Philharmonic may have only one black member—principal clarinetist Anthony McGill—yet the musicians responded with energy ...
New York Classical Review2d
Music, poetry and Spanish history in graceful motion in Met’s “Ainadamar”
Lorca, who was a classical pianist, was captivated by cante jondo, or “deep song, the original manifestation of flamenco, ...
New York Classical Review13d
Ólafsson’s spellbinding Brahms highlights Honeck’s Philharmonic program
This week’s New York Philharmonic program is built on classics—Beethoven’s Symphony No. 7 and Brahms’ Piano Concerto No.
New York Classical Review7d
Love is all around Philharmonic, from Pintscher to Mendelssohn to Schoenberg
The overarching theme of Thursday’s intriguing program of the New York Philharmonic, conducted by Matthias Pintscher, was ...
New York Classical Review8d
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
The New York Studio School, an important training center for drawing, painting, and sculpting, is marking its 60th ...
New York Classical Review12d
Violinist Avsharian’s unique concert mixes music with brainwave education
Shostakovich and light, entertaining music are not generally synonymous, but the Soviet composer wrote film music to pay the ...
New York Classical Review24d
Tesori’s “Grounded” scores a dark triumph in Met season opener
Emily D’Angelo stars as Jess in Jeanine Tesori’s Grounded at the Metropolitan Opera. Photo: Ken Howard / Met Opera “If Odysseus came home every day,” sings fighter pilot Jess to her husband in Jeanine ...